Side Note: Alan Abrahams has been in motion his whole life – This first line from Portable aka Bodycode’s bio always intrigues me. The idea of motion is very apparent in the producer’s music, often flitting between rhythm and a trance. It dwells in me like a whirlpool and I cannot help but be sucked in.
Freedom came my way one day
And I started out of town
All of a sudden I see sheriff John Brown
Aiming to shoot me down
So I shot, I shot him down, I say
I shot the sheriff, but I did not shoot the deputy
Side Note: One thing I’ve always loved about Eric Clapton has always been the quality of his backing band. This might seem like an odd fascination, but while Clapton is an amazing guitarist, he’s also very non-descript, and the musicianship of his band always seems to meld seamlessly; holding back when he does; launches him into orbit while he takes them to explore the vastness of the galaxy. This live version of the Bob Marley classic is a perfect example of that imagery.
Can’t stop the Gods from engineering
Feel no need for any interfering
Your image in the dictionary
This life is more than ordinary
Can I get 2 maybe even 3 of these
Coming from a space
To teach you of the pliedes
Can’t stop the spirits when they need you
This life is more than just a read thru
Red Hot Chili Peppers
Side Note: One word. Raw. This incarnation of the Red Hot Chili Peppers will always be the best incarnation to me. Frusciante’s guitar riff carries the entire song and shows just how crucial he is to the Peppers. Frankly, everything about this song is so simple, yet, it’s probably impossible to emulate. Technically, there isn’t much going on, but the secret’s in the performance, both recorded and live. Everything about this arrange just works. From the vocal interplay between Kiedis, Frusciante and Flea, to the stoic drumming of Smith. And how about that scorching guitar solo with a nice switch-up to Flea’s bass to hold the riff and groove while Frusciante rips it a new one?
Side Note: I don’t particularly identify with the lyrics now, but that groove and musicianship is real. When they start jamming, the trio of Sting, Andy Summers and Stewart Copeland show exactly why they are a force to be reckoned with. I love this live version because it captures both the energy and fragility of their performance.
Today (June 29), the world’s largest social network announced a change to its news feed algorithm that will show its 1.65 billion monthly active users more posts from friends and family. The tweak also means that articles posted by news organizations, which have grown dependent on Facebook for traffic and ad revenue, won’t feature as prominently on users’ news feeds.
With Facebook’s push for media brands to use Instant Articles and now this news feed algorithm change, it sounds like Facebook doesn’t want to send the Internet to your media brand, but wants to be the Internet that your brand exists on.