I’ve been evading the mixtape series because everything about this site was in disarray, but if you bore with the silence, then I’m happy to present the very first mixtape of 2014.
Amidst the celebration of the new year, I’ve found myself in a comfortable melancholy where I don’t have to listen to the inane drivel of popular culture. Instead, here are some standout tracks where I remain comfortably numb.
Never heard of them till they were reviewed by Anthony Fantano. If anything, Have A Nice Life have a new album coming out, and I’d be hard-pressed to listen to more of their brand of desolation. There are two more tracks by them in this week’s mixtape, so let’s just comiserate.
One more desert road to cross, and a fantastic re-imagining by Grabowsky of the Kyuss classic.
Love this intro so hard, but the riff grows on you as well despite sounding like almost any other desert riff.
Don’t make this about the bass fuzz. Don’t make this about the bass fuzz. It’s all about the bass fuzz. That glorious fuzz that churns a tempest of depravity as you watch the world burn.
While the bassline sounds like it was inspired by The Cure’s Fascination Street, all doubts are allayed once the generous helping of ghostly reverb baptises your ears and seemingly brings you to your senses. That’s when you know we don’t know anything.
I don’t think this has a title. All I got was a message from F ∆ U X E saying that he had finished working on something with the HYBRDTHRY collective, and this was what resulted. While less electronic than his earlier work, one gets the sense that this producer is very happy blurring the lines between daylight and the nocturne. Four AM, the witching hour. (Update 3 Feb 2014: F ∆ U X E reached out to us and illuminated us to the title of this track. It’s “Till Tomorrow, Yesterday”)
Another interesting oddity from Singapore-land. The project of Basement In My Loft bass player, Halcyon (Zhong Ren Koh), brings to the forefront the musician’s ideas and talent. While only a demo, the chord progressions, musical hooks and vocal arrangements all stand testament to the earnestness of this young talent. Rawness and honesty are this new project’s strength, and I hope to hear more from the group.